English Intonation Perception and Production: A Systematic Review
Abstract
Previous English intonation studies concentrate too much on intonation production though some of them have already investigated intonation from the perception perspective. The relationship between the perception and production of English intonation is still not clear and there are conflicting views. The present study follows PRISMA protocol and identifies collectively 19 studies from WOS, Scopus and Proquest to include as many papers as possible in the research pool. Through generating themes and codes, this review has compared their methodologies, synthesised their findings from “Tonality, Tonicity and Tone” (chunking, focus and tunes). Mixed-mode designs are the most popular design methods in researching Tonicity and Tone but Tonality has drawn less attention. Participants from tertiary education are frequently chosen while intervention and measurement validity are less mentioned. The perception-production relationship of English intonation is either asymmetric or correlational. Besides, this review has summarised the directions for the future English intonation research concerning the perception-production relationships. Future research should concentrate on various phonetic dimensions, their functions in production-perception relationship of intonation, discrepancy of certain acoustic cues in different sentence types, more diversified language varieties, pedagogical and pragmatic approaches. Most importantly, in the intonation teaching field, future research should explore different L2 speakers, contextual information, retention of intonation acquisition and L1 transfer. It is also of great significance to further clarify the perception-production relationships.
Keywords: Perception; Production; English Intonation; prosody; suprasegmentals
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DOI: http://dx.doi.org/10.17576/3L-2026-3203-21
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