Feminist Representation in the Film Bidaah: A Critical Examination of Gender Norms in Traditional Society
Abstract
This study aims to examine the representation of feminism in the film BIDAAH, focusing on its critique of established gender norms in traditional society. The film was selected for analysis because it explicitly presents the narrative of women who confront various cultural, religious, and social pressures within a patriarchal framework. Through a qualitative research approach, this study utilizes Norman Fairclough's critical discourse analysis method to explore how language, visuals, and narrative structures in the film illustrate women’s struggles against a repressive system. The analysis reveals that the female protagonist in BIDAAH is not simply depicted as a passive victim, but also as a dynamic agent of resistance. She challenges conventional interpretations of women’s roles within the family and broader community, asserting her autonomy. The film symbolically represents resistance to male dominance and the unjust social structures that limit women’s choices by portraying women’s decisions that defy societal norms and expectations. These choices are often deemed ‘deviant’ within the traditional context, highlighting the film’s subversion of gender roles. Thus, BIDAAH emerges as a cultural medium that conveys a feminist message, not only portraying the empowerment of women but also opening a space for deeper reflection on the pervasive issue of gender inequality in traditional societies. The film’s critique serves as a compelling commentary on the need for social change regarding gender roles and expectations.
Keywords: Feminism, BIDAAH film, gender norms, patriarchy, resistance.
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