Reassessing Documentary Narratives in Encounter Point: A Critical Analysis of Grassroots Peacebuilding in Israeli-Palestinian Conflict Representation

Maliha Azeemi Ameen, Syed M. Hassan Zaidi

Abstract


Directed by Ronit Avni and Julia Bacha, the documentary Encounter Point provides a profound exploration of the Palestinian-Israeli conflict, focusing on the personal narratives of individuals directly affected by the ongoing geopolitical struggle. Unlike mainstream media, which often presents sensationalized and polarized narratives, this documentary shifts the focus toward grassroots peacebuilding efforts and the everyday realities of those striving for reconciliation. This study aims to critically analyse this documentary film within the contemporary context, particularly in light of recent escalations in the Gaza conflict, to assess the effectiveness of documentary storytelling as a tool for conflict resolution and peace discourse. The study employs a qualitative content analysis approach, using narrative analysis and framing theory to examine the documentary’s representation of conflict, identity, and peacebuilding initiatives. By dissecting the film’s cinematic techniques, personal testimonies, and framing strategies, this research highlights how Encounter Point constructs an alternative discourse to dominant political narratives. This documentary challenges binary oppositions in conflict reporting by showcasing shared human experiences, fostering empathy, and offering a counter-narrative to mainstream media portrayals of the Israeli-Palestinian conflict. The findings present a nuanced perspective, emphasizing the role of grassroots activism and interpersonal reconciliation in peace efforts. This research underscores the relevance of documentary films as critical media artifacts that contribute to rethinking traditional conflict narratives. As the Gaza crisis continues to evolve, revisiting Encounter Point in 2025 highlights the enduring significance of peace-oriented storytelling in an era of heightened geopolitical polarization.

 

Keywords: Documentary analysis, Israeli-Palestinian conflict resolution, peacebuilding narratives, media framing, grassroots activism.

 

https://doi.org/10.17576/JKMJC-2026-4201-03


Full Text:

PDF

References


Ahmad, A. (2023). Orientalism and after: Ambivalence and metropolitan location in the work of Edward Said. In P. H. Cain & M. Harrison (Eds.), Imperialism (pp. 256-307). Routledge.

AlAhmad, H. (2024). Media’s conduct amid evolving role and expanding networks. In, Stabilizing authoritarianism (pp. 57–101). Palgrave Macmillan.

Abraham, Y., Adra, B., Ballal, H., & Szor, R. (Directors). (2024). No Other Land [Film]. Palestine Film Institute.

Al-Ashqar, H. (2023). Bridging worlds: Dual cultures in Arab-American short stories. Journal of the Faculty of Arts, Fayoum University, 15(2), 1050-1085.

AItwaiji, M. (2023). Ground zero narratives: Islam and Muslims in post-9/11 American narratives and Arab American counter-narratives. Rowman & Littlefield.

Arregui, C., Thomas, R., & Kilby, A. (2020). Peace journalism in theory and practice: Kenyan and foreign correspondent perspectives. Journalism Practice, 16(7), 1383-1402.

Aufderheide, P. (2007). Documentary film: A very short introduction. Oxford University Press.

Avni, R. (2007). Just vision: In search of Israeli and Palestinian morning-after leadership. In J. Kuriansky (Ed.), Beyond bullets and bombs: Grassroots peacebuilding between Israelis and Palestinians (Chap. 19, pp. 167-170). Praeger.

Avni, R., & Bacha, J. (Directors). (2006). Encounter Point [Documentary]. Just Vision. https://www.imdb.com/title/tt0783517

Bacha, J., & Avni, R. (Director). (2006). Encounter Point [Film]. Just Vision.

Bakri, M. (Director). (2002). Jenin, Jenin [Film]. 2B Productions.

Banai, M., & Mayer, C. H. (2025). Adolf Hitler: Hatred driven destructive leadership. International Journal of Cross Cultural Management, 25(1), 135-157. https://doi.org/10.1177/14705958251319653

Banjac, S. (2022). An intersectional approach to exploring audience expectations of journalism. Digital Journalism, 10(1), 128-147.

Barnwell, R. (Director). (2024). A year of war: Israelis and Palestinians [Film]. Top Hat Productions; GBH/FRONTLINE.

Bar-Tal, D. (2013). Intractable conflicts: Socio-psychological foundations and dynamics. Cambridge University Press.

Bar-Tal, D., Trew, K., Hameiri, B., Stevenson, C., & Nahhas, E. (2021). Ethos of conflict as the prism to evaluate the Northern Irish and the Israeli-Palestinian conflicts by the involved societies: A comparative analysis. Peace and Conflict: Journal of Peace Psychology, 27(3), 415–428.

Behm-Morawitz, E., & Valerius, D. S. (2024). Mediated Counter-narratives: A framework for studying media stereotyping and the reclaiming of stories by marginalized groups. In T. L. Dixon & Mastro, D. (Eds.), US media and diversity (pp. 197-214). Routledge.

Bilali, R. (2024). Narrative interventions in conflict settings: Harnessing the power of narratives to prevent violence and promote peace. European Review of Social Psychology, 1–34. https://doi.org/10.1080/10463283.2024.2397307

Burleigh, M., & Wippermann, W. (1991). The racial state: Germany 1933-1945. Cambridge University Press.

Burnat, E., & Davidi, G. (Directors). (2011). 5 Broken Cameras [Film]. Kino Lorber.

Chanan, M. (2007). Outsiders: The Battle of Algiers and political cinema. Sight and Sound, 17(6), 38-40.

Chomsky, N. (1999). Fateful triangle: The United States, Israel, and the Palestinians. South End Press.

Cleton, L. (2022). “We have nothing to hide”: Legitimacy narratives, researcher positionality and the ethics of accessing the Dutch deportation apparatus. International Migration, 61(4), 3-16.

Cronin, M. (2013). Translation and globalization. Routledge.

de Haas, H. (2024). Changing the migration narrative: On the power of discourse, propaganda and truth distortion. In R. Bauböck, M. Czaika, A. Kraler, & W. Sievers (Eds.), Drawing boundaries and crossing borders: Migration in Theorie und Praxis (pp. 103–130). Verlag der Österreichischen Akademie der Wissenschaften.

Dilts, A., Winter, Y., Biebricher, T., Johnson, E. V., Vázquez-Arroyo, A. Y., & Cocks, J. (2012). Revisiting Johan Galtung's concept of structural violence. New Political Science, 34(2), e191-e227.

Entman, R. M. (1993). Framing: Toward clarification of a fractured paradigm. Journal of Communication, 43(4), 51-58.

Fisher, A. S. (2020). Performing the testimonial: Rethinking verbatim dramaturgies. Manchester University Press. https://doi.org/10.7765/9781526145758

Folman, A. (Director). (2008). Waltz with Bashir [Animated film]. Sony Pictures Classics.

Galtung, J. (1990). Cultural violence. Journal of Peace Research, 27(3), 291-305.

Gawerc, M. I. (2006). Peace‐building: Theoretical and concrete perspectives. Peace & Change, 31(4), 435-478. https://doi.org/10.1111/j.1468-0130.2006.00387.x

Ghosh, B. (2022). Politics of manufacturing consent in a post-truth society. Journal of Developing Societies, 38(1), 7-26. https://doi.org/10.1177/0169796X211068451

Godmilow, J. (2022). Kill the documentary: A letter to filmmakers, students, and scholars. Columbia University Press.

Görmar, F. (2024). Weaving a foundational narrative – place-making and change in an old-industrial town in East Germany. European Planning Studies, 32(11), 2338–2359. https://doi.org/10.1080/09654313.2024.2349760

Greenwald, R. (Director). (2006). Iraq for sale: The war profiteers [Documentary film]. Brave New Films.

Haidar, M. T. A., Alqaryouti, M. H., Alruzzi, K. A., Sadeq, A. E., Alhalalmeh, A. M., Alhalalmeh, I. M., Kalaylih, I. M. & Zeer, M. (2024). The impact of the Balfour Declaration and the British Mandate on the loss of Palestine (1917–1948). In Musleh Al-Sartawi, A. M. A., Aydiner, A. S. & Kanan, M. (Eds.), Business analytical capabilities and artificial intelligence-enabled analytics: Applications and challenges in the digital era (Vol. 1, pp. 377–387). Cham: Springer Nature Switzerland.

Hammond, P. (2007). Media, war and postmodernity. Routledge.

Hine, C. (2023). The mainstreaming of a survivor-centred approach: An analysis of civil society war crimes documentation guidelines in Syria & Ukraine [Master’s thesis, Conflict Studies & Human Rights, Utrecht University, Netherlands]. https://studenttheses.uu.nl/bitstream/handle/20.500.12932/45569/Charlotte%20Hine%20Master%27s%20Thesis.pdf?sequence=1

Hjelm, I., Taha, H., Pappé, I., & Thompson, T. L. (Eds.). (2019). A new critical approach to the history of Palestine: Palestine history and heritage project 1. Routledge.

Hovsepian, N. (2025). Edward Said: The politics of an oppositional intellectual. AUC Press.

Huss, M. (2023). Jaffa's contested heritage trails: Using city walking tours to study, affirm, and protest the politics of space and memory. Political Geography, 107, 102998. https://doi.org/10.1016/j.polgeo.2023.102998

Jacir, A. (Director & Writer). (2017). Wajib [Film]. Philistine Films; JBA Productions; Ape & Bjørn AS; Snowglobe Films; Ciudad Lunar Producciones.

Jamshidi, S. S. (2020, May 13). Julia Bacha: Chronicles nonviolent responses to injustice through filmmaking. Goltune. https://goltune.com/julia-bacha-chronicles-nonviolent-responses-to-injustice-through-filmmaking/

Jiménez-Figarotti, J. L. (2023). Healing a generation: Implementation of higher education curricula for Venezuelan journalism students living under structural violence to promote a transition into democracy. The SUNY Journal of the Scholarship of Engagement (JoSE), 3(1). https://digitalcommons.cortland.edu/jose/vol3/iss1/6/

Just Vision. (2003). Just Vision homepage. https://justvision.org/

Kelman, H. C. (2004). National identity and the role of the “other” in existential conflicts: The Israeli-Palestinian case. In J. Bunzl (Ed.), Islam, Judaism, and the political role of religions in the Middle East (pp. 61–74). Gainesville, FL: University Press of Florida.

Khalidi, R. (2020). The hundred years' war on Palestine: A history of settler colonialism and resistance, 1917–2017. Metropolitan Books.

Kim, J. J., & Friedlander, H. (2023). If you see something, say something: Structural vulnerability data and reporting in forensic anthropology casework. Forensic Science International: Synergy, 6, 100328. https://doi.org/qqwz

Kosmatopoulos, N. (2024). Master peace: Lebanon's violence and the politics of expertise. University of Pennsylvania Press.

Kyriakou, P. (2024). Mythos and catharsis in Aristotle’s Poetics. Trends in Classics, 16(1), 59-79.

Lasmana, C., & Sripokangkul, S. (2024). Implementing Galtung’s fivefold path: A framework for peace studies. Journal of Humanities and Social Sciences Mahamakut Buddhist University Isan Campus, 5(3), 1–11.

Lee, B. (2025). Interpersonal role plays. Publifye AS. https://books.apple.com/us/book/interpersonal-role-plays/id6742388630

Lehrs, L. (2022). Unofficial peace diplomacy: Private peace entrepreneurs in conflict resolution processes. Manchester University Press.

Lewis, A. (Director), & Klein, N. (Writer). (2004). The Take [Film]. First Run Features.

Lieblich, A., Tuval-Mashiach, R., & Zilber, T. (1998). Narrative research: Reading, analysis, and interpretation. Sage Publication.

Lynch, J., & McGoldrick, A. (2007). Peace journalism. In Webel, C. & Galtung, J. (Eds.). Handbook of peace and conflict studies (pp. 248-264). Routledge.

Malešević, S. (2022). Grounded nationalism. In Richmond, O. P. & Visoka, G. (Eds.), The Palgrave encyclopedia of peace and conflict studies (pp. 467-471). Springer International Publishing.

Martin, A. (Director & Narrator). (2019). Gaza fights for freedom [Film]. The Empire Files; Abby Martin Productions.

McGoldrick, A., & Lynch, J. (2016). Audience responses to peace journalism: Merging results from a four-country research study. Journalism Studies, 17(5), 628-646.

Melbye, D. (Ed.). (2024). Emergence of the Cinematographer: Landscape Allegory in Soviet Thaw Films. In, Global cinema studies in landscape allegory (Chap. 7, pp. 143-182). Lexington Books.

Moeller, S. D. (2002). Compassion fatigue: How the media sell disease, famine, war and death. Routledge.

Moreh, D. (Director). (2012). The Gatekeepers [Film]. Sony Pictures Classics.

Morris, B. (2008). 1948: A history of the first Arab-Israeli war. Yale University Press.

Nasser, T., & Nasser, A. N. (Directors). (2020). Gaza mon amour [Film]. Les Films du Tambour, Raco Films, ZDF/Arte.

Nets-Zehngut, R. (2013). Palestinians and Israelis collaborate in addressing the historical narratives of their conflict. Quest: Issues in Contemporary Jewish History, 5, 232-252.

Nichols, B., & Baron, J. (2024). Introduction to documentary. Indiana University Press.

Osit, D. (Director). (2020). Mayor [Film]. Independent Lens, American Documentary.

Pappé, I. (2006). The Ethnic Cleansing of Palestine. Oxford: Oneworld Publications.

Renov, M. (2004). The subject of documentary (Vol. 16). University of Minnesota Press.

Renov, M. (2012). Theorizing documentary. Routledge.

Richards, K., & Biron, D. (2024). Framing perpetrators of sexual violence who participate in Circles of Support and Accountability (CoSA): An analysis of global print media reporting. International Journal of Offender Therapy and Comparative Criminology, 68(15), 1485–1504. https://doi.org/10.1177/0306624X221113536

Riessman, C. K. (2008). Narrative methods for the human sciences. Sage Publication.

Roth, R. E. (2020). Cartographic design as visual storytelling: Synthesis and review of map-based narratives, genres, and tropes. The Cartographic Journal, 58(1), 83–114. https://doi.org/10.1080/00087041.2019.1633103

Said, E. W. (1992). The question of Palestine. Vintage.

Sallam, D. J. (Director). (2021). Farha [Film]. Amman Film Industry, Netflix.

Schmid, J. C. (2021). Frames and framing in documentary comics. Palgrave Macmillan.

Selenica, E. (2025). Conflict, international intervention and local agency: Education in a changing global order. Routledge.

Seligman, E. (Director & Director). (2020). Shiva Baby [Film]. Circle of Confusion; Neon.

Sexton, J. (2023). The Palestinian cause. In Zalloua, Z. (Ed.), Solidarity and the Palestinian cause: Indigeneity, blackness, and the promise of universality (pp. 159-167). Bloomsbury Academic.

Shah, K. (Director). (2024). Israel's Second Front [Film]. FRONTLINE; Quicksilver Media.

Shehadeh, S. W. (2023). Researching the General Union of Palestine Students from the diaspora [Doctoral dissertation, University of California, Los Angeles]. ProQuest. https://www.proquest.com/openview/0aa5394de197c29980f6c1ae7ac4bfa1/1?cbl=18750&diss=y&pq-origsite=gscholar

Shinar, D. (2007). Epilogue: Peace journalism—the state of the art. Conflict & Communication, 6(1), 1-9.

Spiegel, S. J., Mucherera, B., Idrees, S., Moze, F., Rajadhyaksha, K., McAteer, B., Mutambasere, T., Cole, G., Falisse, J.-B., & Qadir, S. (2024). Displacement, borders, and unsettling narratives: Critical directions for higher education. Springer Nature Switzerland.

Spoo, R., & Stern, S. (2025). Elgar concise encyclopedia of law and literature. Edward Elgar Publishing.

Steinberg, G. M. (2024). The Limits of peacebuilding. In R. M. Ginty (Ed.), Routledge handbook of peacebuilding (pp. 103-114). Routledge.

Suleiman, E. (Director). (2019). It must be heaven [Film]. Rectangle Productions; Bord Cadre Films; Canal+.

Tan, K. P. (2023). Asia in the old and new cold wars: Ideologies, narratives, and lived experiences. Springer Nature.

Trangbæk, A., & Cecchini, M. (2023). Using the interpretivist methodology. In R. Shaw (Ed.), Handbook on ministerial and political advisers (pp. 123-136). Edward Elgar Publishing.

Wallace, M. I. (2020). The summoned self: Ethics and hermeneutics in Paul Ricoeur in dialogue with Emmanuel Levinas. In W. Schweiker, J. Wall & D. Hall (Eds.), Paul Ricoeur and contemporary moral thought (pp. 80-93). Routledge.

Wang, Z. (2025). Censorship and female identity in contemporary China [Doctoral dissertation, University of Glasgow, Scotland].

Winston, B. (2008). Claiming the real: Documentary, Grierson and beyond. Palgrave Macmillan.

Woolf, G. (Director). (2020). The Tinderbox [Film]. Woolf Media Ltd.

Yohannes, T. G. (2022). Analyzing the media framing of armed conflict-Induced food crisis in Tigray, Ethiopia [Research paper Master, Erasmus University Rotterdam, Netherlands].

Zertal, I. (2005). Israel's holocaust and the politics of nationhood. Cambridge University Press.

Zin, H. (Director & Writer). (2014). Born in Gaza [Film]. Claqueta La; Doc Land Films; Underdog Films.


Refbacks

  • There are currently no refbacks.


e-ISSN: 2289-1528